“The Odd Couple” coming soon!

ERCT is currently in rehearsals for

The Odd Couple

Directored by Eileen Anderson

February 14 – 24, 2013 (Seven performances)

Play synopsis: This Tony Award-winning classic Neil Simon play is about two divorced men trying to share a New York apartment. With their polar-opposite personalities, it may seem that murder may be on their minds more than the poker games they share with their buddies.

Actor Character
Murray Brian Budahn
Speed Bill Bade
Roy Denny Chuba
Vinnie Shahn Dilks
Gwendolyn Sharon Auerbach
Cecily Stephanie Hunter
Felix Jonathan Rehlander
Oscar Kevin Hunter

Get your backstage pass

Something unique that Elk River Community Theatre is doing for the run of this performance is to give backstage tours during the intermissions. Two groups will start out at opposite ends of the theater and learn about everything from sound and lighting to the pulley system backstage and even get to walk around the set!

This short video will give you a small taste of one area that will be covered during the tour: the set. The set design takes an artistic and mechanical mind. The set is just one of the areas you will get to tour if you opt for the Backstage Pass offer when you buy your tickets this weekend or next. We have two tours during each intermission.

Click here to view the video.

Character assassinations, no assessments, no assassinations: Freddy Fellowes

Today’s post is a video blog featuring our own Paul Olson, who plays the role of Freddie Fellowes in “Noises Off” by Michael Frayn as presented by the Elk River Community Theatre. Paul talks about his character and the play in this short clip. More actors and their characters to come! Interviewed by Pat Noren Enderson.

Here’s the video

Behind the Scenes: Community Theatre I

As I sit here in the intense heat of a Minnesota July, I am constantly brought back to thoughts about the importance of Community Theatre. It’s especially important for the “suitcase” suburbs. These are the towns and cities where going to downtown Minneapolis or St. Paul can be difficult due to location or cost. We want our culture and a little fun along the way, too.


Community Theatre is important to our cities and towns in many ways. We’re lucky to live in the Twin Cities; they are rife with Broadway shows, top artist concerts, and experimental theater and comedy. We have dozens of choices every weekend. But what about a choice that is at the local high school or renovated movie theater and stars your sister, brother, or cousin? That’s community magic. It may not be Broadway, but it’s live theater put on by your friends and family who have worked hard to perform for you.


Community Theatre lets you become a patron at a lower cost with a greater impact than in the larger city theaters. You can volunteer with us, act on stage, meet new people, and learn new things. There are many ways to participate with your community—just ask. You can just write a check, attend the performances, buy ad space, volunteer, or perform. Every little bit helps Elk River Community Theatre bring you interesting and fun shows locally.

Fun & Friendship & Hard Work

Community Theatre is fun, but also hard work. Our actors for “Noises Off” are rehearsing Monday through Friday from 7p.m. to 10p.m. in order to put on a great show for you—our community. They go through the whole process from auditions, to learning lines, blocking, rehearsing, and finally performing several shows for different audiences.

The actors get to know each other in a new context, sometimes for the first time and become friends. Some have performed together many times before such as Sarah Rabe, who plays Poppy in “Noises Off” by Michael Frayn and Emily Bowersox, who plays Brooke Ashton. “This is Emily Bowersox’s and my eighth show together! We have been working on various projects together over the last few years. She’s planning on studying Vocal Performance in college.”

Opportunity & Education

Community Theatre allows people to try something new that might be a little out of their comfort zone. Since most community theaters are small, actors help with areas such as props, costumes, they do their own make-up and hair for shows, and help out with the scenery—painting, putting down rugs or carpet, and even striking (taking down) the set at the end of the show. These are areas where a new actor can learn from veteran Community Theatre actor, directors, stage managers, production designers and other crew.

Last March, I decided to cross something off my Bucket List: audition for a play. I walked in, not really thinking that I would get a part, but that I would have fun doing it. Two weeks later, I got an email that not only did I get a part, but I had three small parts, one for each act. I wasn’t by any means the star of the play, but our troupe worked together and I asked questions of our more seasoned actors many times. Our troupe saw each other as equals. I felt just as important as any other actor. I stepped outside my comfort zone and found something I really liked and at which I was pretty good. I became friends with all of them; and we laughed…a lot.

Learning from veteran actors, stage managers, directors and producers gives the “edge” in education for those brave enough to be involved. A director won’t necessarily assume you know everything about blocking (who stands where in a scene) or stage direction (who goes where and when), but they will be patient and help everyone to the best of their ability.

What I am trying to say, I guess, is that there is a reason we call it “community” theater. Because it is produced by the community, supported by the community, and for the community. It’s a living definition of the word “community.”

Thank you so much for your support of your local Community Theatre.

Theater Magic: Noises Off at ERCT

The feeling of theater magic flows from the stage to my seat in the 5th row. I am getting excited for the show and am itching to write about it.

The Elk River Community Theater’s (ERCT) production of “Noises Off” by Michael Frayn is currently in rehearsals for their July 27th opening night at the Zabee Theater at Elk River High School. The play is a farce about a play within a play. Real actors playing fake actors playing characters in a play with a lot of sardines.

If it sounds confusing, it won’t be. The script is well-written and the cast is kept small so the story is easy to follow in this fun romp through what things can be like behind-the-scenes of a Broadway play.

Our cast is filled with veteran and new artists from the area, including Dierdra Ann as the lead actress, Dotty Otley. Bob Bowersox plays the director of the play, Lloyd Dallas. Lloyd is desperately trying to pull the production together with only a couple weeks rehearsal and Dotty has spent all her retirement money producing the play. Everyone has something at stake in “Noises Off.”

Each of the three acts of Noises Off contains a performance of the first act of Nothing On. Act One is set at the dress rehearsal, the night before opening at the (fictional) Grand Theatre in Weston-super-Mare, with the cast still fumbling with entrances and exits, missed cues, misspoken lines, and bothersome props, most notably several plates of sardines. Act Two portrays a Wednesday matinee performance one month later, at the (again fictional) Theatre Royal in Ashton-under-Lyne. In this act, the play is seen from backstage, providing a view that reveals the deteriorating personal relationships among the cast that have led to offstage shenanigans and onstage bedlam. Also, there appears to be no true resolution. The play simply falls into turmoil and disorder before the curtain is pulled. In Act Three, we see a performance near the end of the ten-week run, at the (still fictional) Municipal Theatre in Stockton-on-Tees, when personal friction has continued to increase and everyone is bored and anxious to be done with the play. The actors attempt to cover up a series of mishaps but only compound the problems and draw attention to the bungling performance. Much of the comedy emerges from the subtle variations in each version as off-stage chaos affects on-stage performance, with a great deal of slapstick. The contrast between players’ on-stage and off-stage personalities is also a source of comic dissonance.

We’ll see you on the boards!